Virgil supplies an eye-witness account, from his partially informed perspective. The vast majority of characters and allusions from classical mythology appearing in the Divine Comedy derive from the works of these writers, primarily those of Ovid and Lucan in addition to Virgil.ħ Harrowing of Hell This event is the supposed descent of Christ-following his crucifixion- into Limbo, when he rescued and brought to heaven ('harrowing' implies a sort of violent abduction) his 'ancestors' from the Hebrew Bible. For Dante, Limbo was also the home of major figures from the Hebrew Bible, who-according to Christian theology-were 'liberated' by Jesus following his crucifixion.Īmong the noble shades in Limbo is a distinguished group of four classical poets-Homer (8th century B.C.E.), Horace (65-8 B.C.E.), Ovid (43 B.C.E C.E.), and Lucan (39-65 C.E.)-who welcome back their colleague Virgil and honor Dante as one of their own. We thus find here many of the great heroes, thinkers, and creative minds of ancient Greece and Rome as well as such medieval non-Christians as Saladin, Sultan of Egypt in the late twelfth century, and the great Islamic philosophers Avicenna (Ibn Sina) and Averroës (Ibn Rushd). Dante's Limbo-technically the first circle of hell-includes virtuous non-Christian adults in addition to unbaptized infants. 3 Limbo The concept of Limbo-a region on the edge of hell for those who are not saved even though they did not sin-exists in Christian theology by Dante's time, but the poet's version of this region is more generous than most.

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